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What follows is the story of my encounter with an egregore — and/or a schizoid break. This encounter ended with me getting arrested by the police at Burning Man, taken to a jail in (the aptly named) Lovelock, Nevada, where I spent a night in solitary confinement in an orange jumpsuit— my only experience behind bars. This was a number of years ago now.
I realize my esoteric interpretation of this experience can easily be dismissed as delusional. Indeed, it was, no doubt, the direct result of a too-large splash of Albert Hoffman’s potion I licked off my wrist earlier that evening, given to me by a scion of one of the world’s wealthiest families, during a wedding celebration at a plug-and-play theme camp.
It was the night I finally had my version of the Fear and Loathing / Hunter S Thompson shape-shifting alien horror trip. In retrospect, I don’t think my psychedelic portfolio would have been complete without this misadventure. I don’t regret it, even if I am still embarrassed by it.
After writing Breaking Open the Head, I over-indulged in the Romantic pursuit of excess celebrated by William Blake, Arthur Rimbaud, Beat poets, Jim Morrison, and their ilk. I took Blake’s proclamation seriously": “The road of excess leads to the palace of wisdom… You never know what is enough unless you know what is more than enough.” I sought to field-test Arthur Rimbaud’s ideal of visionary derangement:
“A poet makes himself a visionary through a long, boundless, and systematized disorganization of all the senses. All forms of love, of suffering, of madness; he searches himself, he exhausts within himself all poisons, and preserves their quintessences. Unspeakable torment, where he will need the greatest faith, a superhuman strength, where he becomes of all men the great invalid, the great criminal, the great accursed — and the Supreme Scientist! For he attains the unknown! Because he has cultivated his soul, already rich, more than anyone! He attains the unknown, and if, demented, he finally loses the understanding of his visions, he will at least have seen them! So what if he is destroyed in his ecstatic flight through things unheard of, unnameable: other horrible workers will come; they will begin at the horizons where the first one has fallen!
At Burning Man that night, I conclusively learned what “more than enough” means, nearly destroying myself in my “ecstatic flight through things unheard of.” The lesson has remained. Hopefully it has brought a level of wisdom I can share with future “horrible workers” seeking the “unnameable.”
Psychedelics are known to be non-specific psychic amplifiers. They take whatever is already inside you and turn up the voltage 10X. Subjectively, one often has the sense that reality bends, ripples, reconfigures itself around your shift in perspective. At the end of this essay, I will offer some theories in support of the perspective that this is, in some way, true.
Soon after the wedding party, I got separated from all of my friends. When you are alone late at night, particularly if you are high, the playa can seem like a soulless carnival. Wandering alone and tripping, I subjectively believed I had been tricked into entering a lower half-dimension, a bardo realm/soul prison that was like a degraded facsimile or simulacrum of Burning Man. Benevolent Burners had been replaced by soul-less NPCs (non-playable characters, like quasi-sentient AIs). The psychedelic had wiped my sense of linear time. I was certain I was going to be trapped in this half-dimension for eternity. In my recollection, I kept stopping people in the empty dust-shrouded desert and begged them to help me get back to Center Camp. They refused to assist me. They dissolved like ghosts — dispersed like mist — as soon I let them go.
After what seemed, subjectively, like many hours, I became increasingly panicked. I forgot I had taken a drug. Finally, I ran into the blazing lights atop a police truck and a group of cops standing by the dance floor of a theme camp. In my confusion, I must have shoved one of them. They put me in handcuffs and took me to the police station on the playa. From there, I was transported to Lovelock.
During my trip, until I woke up sober the next morning, I was absolutely convinced that everyone I interacted with — other Burners who were under arrest, mostly for drug busts, and the police — were alien shape-shifters (“Grey alien” typology). They were, I knew, experimenting on me, playing with my mind. I took the police van ride to Lovelock with a group of busted Burners who seemed like shady, low-grade counterfeits — alien imposters — of the actual festival-goers.
Recollections from psychedelic journeys tend to be very sharp, as if etched into your psyche. I still don’t completely reject the possibility that what I experienced until I came down the next morning, was, somehow, a kind of murky half-dimension or Burning Man simulacrum. A charged field of psychic energy permeates Burning Man. Burners endlessly recount synchronicities, telepathic links, paranormal flare-ups. I have spoken, also, with indigenous ayahuasqueros who say they find it difficult to work with clients who go to Burning Man: Their clients have “psychic crud” in their field which they find hard to clear out.
Certainly, for any materialist or mainstream psychologist, it would be obvious I simply experienced temporary dementia, chemically catalyzed, rather than opening any dimensional portal. I wonder, however, if we might consider certain kinds of breakthrough experiences, whether beatific or horrific (or both), from a “both/and” rather than an “either/or” perspective. When occult episodes or spiritual breakthroughs happen, they seem, in retrospect, over-determined. Yet, at the same time, they are too individual, too unique, to be predictable.
The two polarities of either/or versus both/and correspond to the “first attention” and “second attention,” described by Carlos Castaneda and Antero Alli, among others. Alli writes:
The first attention refers to that awareness linked to language, thinking and the automatic assignment of labels and meanings. The second attention refers to that awareness linked to presence, energy, and phenomena without any assignment of meaning or labels or thinking. Both attentions are important and necessary for different reasons. What we pay attention to informs the content of our minds; how we pay attention informs the quality of our consciousness.
From first attention or ordinary consciousness, I can easily dismiss my experience that night as a sad LSD meltdown. However, from second attention, I sense I got caught in a trap devised by Burning Man’s powerful egregore — an autonomous psychic entity or collective thought-form; “a specific psychic intelligence of a nonhuman nature connecting the invisible dimensions with the material world,” according to Mark Stavish. This entity — or semi-autonomous complex created out of the event’s collective psychic energies — punished me for turning against it in my writing and thoughts. It threw me into a shadowy half-dimension, an underworld, taking revenge.
At the same time, one could just as accurately say that my unconscious created this scenario. But, then, what is the link between the personal and collective unconscious? Is it so easy to say where one begins and the other ends? Or do they bleed into each other?
I have also had many “second attention” experiences that were euphoric, benevolent, and ecstatic. Cumulatively, such events convinced me that our consensus reality is more psychically malleable than we generally imagine. According to Alesteir Crowley, “Magic is the science and art of causing change to occur in conformity with will.” I think there is something to this — not only the conscious but also the unconscious aspects of our being continuously influence what we experience as reality.
Is it possible that we can, by changing our consciousness alone, directly affect the world around us? Here are three philosophical approaches supporting this idea:
1. Jean Gebser
The philosopher Jean Gebser defined different “structures” of consciousness, each with a different way of perceiving and interacting with time and space. He named these structures the aboriginal/archaic, magical, mythological, and mental-rational. He proposed that humanity is currently racing toward a new structure of consciousness, which he called integral/aperspectival. Gebser theorized that the integral/aperspectival structure of consciousness will be characterized by a more holistic, non-dualistic, and multidimensional understanding of reality. This new structure will synthesize the previous structures, transcending and including their respective insights while overcoming their limitations.
In Gebser's view, magic and its associated practices, such as spell-casting, function within the magical and mythological structures of consciousness because these structures are denoted by a fluid, non-dualistic reality-construct. However, in the mental-rational structure — focused on analytical thinking, quantification, and objectivity — magic would not be effective due to the dominance of dualistic thinking. But something akin to "magic" will work in the integral/aperspectival structure. We will understand and realize it differently than in earlier structures. Integral “magic” will be based on a comprehensive model of reality, incorporating insights from quantum physics, spirituality, and other fields, transcending the limits of the mental-rational structure.
2 Quantum entanglement
We see this transcendence of outmoded mental-rational thought-structures underway in current physics. With quantum entanglement, the properties of two or more particles become linked so that the state of one particle immediately influences the state of the other, regardless of the distance between them. This goes against the classical idea, which assumes that physical processes in a particular location do not depend on the properties of distant objects.
Quantum physics experiments repeatedly demonstrate the universe is “not locally real.” Local realism is deeply rooted in classical physics, which assumes that objects have definite properties and are influenced only by their immediate surroundings. Quantum entanglement defies this intuition, revealing that entangled particles can influence one another's properties instantly, even when separated by vast distances. This phenomenon has been experimentally confirmed through various tests, such as the Bell experiments, which were designed to test the predictions of quantum mechanics against those of local realism.
The implications of the universe being "not locally real" are profound: The nature of reality at the quantum level seems fundamentally different from our everyday experiences and intuitions. It subverts the classical understanding of space and time, as well as entrenched ideas such as causality and locality. In a "non-locally real" universe, the idea of an objective, independent reality separate from our observations becomes untenable: The boundary between observer and observed is blurred.
3. Morphic Resonance
According to Rupert Sheldrake's theories of morphic resonance and morphogenetic fields, nature inherently possesses memory, and forms and patterns in the universe arise from the collective memory of similar systems. According to Sheldrake, morphogenetic fields are non-material organizing structures responsible for the development and maintenance of forms and behaviors in both biological and non-biological systems.
Sheldrake’s idea of morphic resonance suggests that the memory within these fields is cumulative, with each instance of a particular pattern or behavior reinforcing the field and making it more likely to be replicated in future instances. In this framework, the habits of nature are not governed by fixed laws; they are shaped by the collective memory of similar systems.
Assuming that Sheldrake's theories apply to human consciousness, then our thoughts, beliefs, and perceptions would not only be influenced by morphogenetic fields but also constantly influence them. Therefore, changes in human consciousness would contribute to the transformation of these fields. As more people adopt new ways of perceiving and understanding reality, the collective memory within the morphogenetic fields associated with human consciousness could change, potentially affecting fundamental aspects of reality. If Sheldrake is correct, human consciousness is an integral part of the universe, actively participating in the shaping and transformation of reality through our ongoing interaction with morphogenetic fields.
***
Are there many levels of reality — half dimensions, bardo realms — that we can accessed through non-ordinary states of consciousness or via the second attention? Can such realms become, provisionally, as real as this shared reality in which we find ourselves embedded now? Could an evolved, intentional occult practice — an experiential investigation made by a collective of alert, curious seekers — transform the morphogenetic fields that define the underlying patterns and structures of nature, culture, and cosmos? This is a subject to be explored in my new seminar. I suspect it is worth finding out.
breaking some new ground i see
very fresh essay! lots of colorful language. great job letting go. Thanks for taking us here. I want to hear more like this! the story about your trip was the best
something similar happened to me yesterday. Tons of synchronicities led to a paranormal event. I just moved into my apartment. Then me, my friend, and my Mom were at her sketchy hotel. We ended up getting locked out of my Mom's hotel room. As we walked to get a replacement key, one man wearing a blue suede suit and blue suede curly cowboy boots was standing in the lobby. He wore a staff of hermes necklace. I thought that was odd and random because he was dressed like a pimp. He just stood out and even talked to me for no reason really.
I even brought it up to my friend, I said, "look it's lucifer coming to tempt us." He laughed and agreed, "Yeah that's strange."
Then I just knew. I thought, uh oh...things are about to get weird. Let me stay alert. I should have listened to my intuition and other obvious signs that said we should take the stairs.
Long story short (I'll share details later)....we got trapped in an elevator--so liminal. It got stuck while we were in it and wouldn't move. We ended up calling 911 while we were in the elevator because the staff was taking too long.
The fire department even showed up. LOL.....There's more extreme synchronicities that I won't share now....this happened yesterday. I wasn't tripping. Just pure raw high strangeness.
i have some theories. very underworld moment. ;)
I agree with everything in your Playa article and have a suggestion on how you could implement magic in relation to its content. I would "amplify" (in the Jungian sense of active imagination) your numinous experience by writing a fictionalized version of it. As a journalist, you are inhibited from confabulating details that are understandably sketchy and fragmented such as whether or not you shoved the cop, etc. A way to access the BM egregore would be to eliminate the reducing valve of responsible journalism and re-experience the experience in the imaginal and narrate it from there in first person and present tense. As Graham Greene said, "A novelist should have a bad memory." If you feel obliged to accurately report on a past event, or remember it too specifically, you cannot amplify in the imaginal. At best you would create gonzo journalism (usually fabricated anyway). Magick, as Crowley defined it, is the "Science and art of creating change in conformity to will." Writing, which of all media has the least mechanical resistance, is your most ideoplastic, thought-responsive medium over which your greatest ability to create change in conformity to will, so amplifying such a numinous experience which you remember poorly, but still have high emotional resonance, is an ideal opportunity for you to do MAGICK. For example, here's a few sentences from my about-to-be-published fantasy epic,Parallel Journeys, of the state of consciousness you describe that the DSM would call "capgrass delusion" :
The whole time, my head throbs with fearful perceptions. What if the strangers we pass are not people, but extras— person-shaped automatons? They fill in crowd scenes everywhere I look, swarming into trains and subways, mutely walking down sidewalks holding lumpy plastic shopping bags in the hot sun.
I try not to focus. I can almost fool myself into believing they’re real if I squint and glance across them quickly. But horrified curiosity forces me to look closer. The illusion of realism collapses as I behold the shoddy, counterfeit motions of hollow, doll-eyed puppets going through their programmed routines.
They’re a mechanical swarm, army ants endlessly looping around a Mobius strip. They run on rails, like the subway trains rattling by. The man spitting on the platform has always been spitting there and always will be. It’s all just loops, loops, loops . . .
I tried to ride the edge between journalism and imaginal amplification in an article I wrote about my first BM experience. (originally published in Reality Sandwich): https://zaporacle.com/incendiary-person-in-the-desert-carnival-realm/ Even in 2008, it struck me as a glamorous version ofwthat theosophists would call the "lower astral" It begins this way:
I became aware of myself within my dream and found that I was in some sort of desert carnival realm. I stood alone in a vast expanse of chalky dust, some of it powdery, but most of it caked and cracking beneath my feet. In the distance were scattered jewelries of electric light, and as I turned around I saw that they extended in all directions. The scattering of neon jewelry was punctuated by occasional fireballs which rose like jack o’ lanterns, living for a fiery heartbeat before they disappeared into the high desert night. Beyond the lights and fireballs, the chalky expanse was ringed by desolate mountains.
As I stood there, I felt waves of a haunting emotional lucidity pass through me, a sense of my whole life summed up within the peculiar alchemical mixture of blessings and wounds of an entire mutant incarnation, and these feelings seemed to radiate outward into the desert carnival realm, searching for something elusive, like a fugitive and forbidden desire.
As if conjured by my feelings, a large neon-lit sailing ship blasting techno music came careening toward me, spewing an explosive wake of dust. It passed within feet of me, and I saw that it was filled with harlequin-costumed party-goers, cocktail glasses in their hands, their gazes transfixed by carnival thought forms. They were benignly oblivious to my presence, and it felt as if the ship were a conjuration of my haunted feelings, the missed party of adolescence now become visible in the desert night, propelled by blasts of techno into the darkness as it receded from view.
The ship was followed by dusty gusts of desert wind. The elements felt so physical, and I began to realize that maybe I wasn’t merely lucid within my own personal dream. Perhaps I was caught in some collective dream, a bardo playing itself out in a lower astral plane. Perhaps this was a realm where spirits, newly separated from their bodies, indulged unfinished appetites together, a last anything-goes party wherein they could gradually burn out the last vestiges of mortal desires in a realm of nocturnal entertainments and swollen dream objects. When bardo-goers tired of clinging to this final desert carnival, they would be released, their spirits liberated for the further travels that awaited them.