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Swamp Seer's avatar

breaking some new ground i see

very fresh essay! lots of colorful language. great job letting go. Thanks for taking us here. I want to hear more like this! the story about your trip was the best

something similar happened to me yesterday. Tons of synchronicities led to a paranormal event. I just moved into my apartment. Then me, my friend, and my Mom were at her sketchy hotel. We ended up getting locked out of my Mom's hotel room. As we walked to get a replacement key, one man wearing a blue suede suit and blue suede curly cowboy boots was standing in the lobby. He wore a staff of hermes necklace. I thought that was odd and random because he was dressed like a pimp. He just stood out and even talked to me for no reason really.

I even brought it up to my friend, I said, "look it's lucifer coming to tempt us." He laughed and agreed, "Yeah that's strange."

Then I just knew. I thought, uh oh...things are about to get weird. Let me stay alert. I should have listened to my intuition and other obvious signs that said we should take the stairs.

Long story short (I'll share details later)....we got trapped in an elevator--so liminal. It got stuck while we were in it and wouldn't move. We ended up calling 911 while we were in the elevator because the staff was taking too long.

The fire department even showed up. LOL.....There's more extreme synchronicities that I won't share now....this happened yesterday. I wasn't tripping. Just pure raw high strangeness.

i have some theories. very underworld moment. ;)

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Jonathan Zap's avatar

I agree with everything in your Playa article and have a suggestion on how you could implement magic in relation to its content. I would "amplify" (in the Jungian sense of active imagination) your numinous experience by writing a fictionalized version of it. As a journalist, you are inhibited from confabulating details that are understandably sketchy and fragmented such as whether or not you shoved the cop, etc. A way to access the BM egregore would be to eliminate the reducing valve of responsible journalism and re-experience the experience in the imaginal and narrate it from there in first person and present tense. As Graham Greene said, "A novelist should have a bad memory." If you feel obliged to accurately report on a past event, or remember it too specifically, you cannot amplify in the imaginal. At best you would create gonzo journalism (usually fabricated anyway). Magick, as Crowley defined it, is the "Science and art of creating change in conformity to will." Writing, which of all media has the least mechanical resistance, is your most ideoplastic, thought-responsive medium over which your greatest ability to create change in conformity to will, so amplifying such a numinous experience which you remember poorly, but still have high emotional resonance, is an ideal opportunity for you to do MAGICK. For example, here's a few sentences from my about-to-be-published fantasy epic,Parallel Journeys, of the state of consciousness you describe that the DSM would call "capgrass delusion" :

The whole time, my head throbs with fearful perceptions. What if the strangers we pass are not people, but extras— person-shaped automatons? They fill in crowd scenes everywhere I look, swarming into trains and subways, mutely walking down sidewalks holding lumpy plastic shopping bags in the hot sun.

I try not to focus. I can almost fool myself into believing they’re real if I squint and glance across them quickly. But horrified curiosity forces me to look closer. The illusion of realism collapses as I behold the shoddy, counterfeit motions of hollow, doll-eyed puppets going through their programmed routines.

They’re a mechanical swarm, army ants endlessly looping around a Mobius strip. They run on rails, like the subway trains rattling by. The man spitting on the platform has always been spitting there and always will be. It’s all just loops, loops, loops . . .

I tried to ride the edge between journalism and imaginal amplification in an article I wrote about my first BM experience. (originally published in Reality Sandwich): https://zaporacle.com/incendiary-person-in-the-desert-carnival-realm/ Even in 2008, it struck me as a glamorous version ofwthat theosophists would call the "lower astral" It begins this way:

I became aware of myself within my dream and found that I was in some sort of desert carnival realm. I stood alone in a vast expanse of chalky dust, some of it powdery, but most of it caked and cracking beneath my feet. In the distance were scattered jewelries of electric light, and as I turned around I saw that they extended in all directions. The scattering of neon jewelry was punctuated by occasional fireballs which rose like jack o’ lanterns, living for a fiery heartbeat before they disappeared into the high desert night. Beyond the lights and fireballs, the chalky expanse was ringed by desolate mountains.

As I stood there, I felt waves of a haunting emotional lucidity pass through me, a sense of my whole life summed up within the peculiar alchemical mixture of blessings and wounds of an entire mutant incarnation, and these feelings seemed to radiate outward into the desert carnival realm, searching for something elusive, like a fugitive and forbidden desire.

As if conjured by my feelings, a large neon-lit sailing ship blasting techno music came careening toward me, spewing an explosive wake of dust. It passed within feet of me, and I saw that it was filled with harlequin-costumed party-goers, cocktail glasses in their hands, their gazes transfixed by carnival thought forms. They were benignly oblivious to my presence, and it felt as if the ship were a conjuration of my haunted feelings, the missed party of adolescence now become visible in the desert night, propelled by blasts of techno into the darkness as it receded from view.

The ship was followed by dusty gusts of desert wind. The elements felt so physical, and I began to realize that maybe I wasn’t merely lucid within my own personal dream. Perhaps I was caught in some collective dream, a bardo playing itself out in a lower astral plane. Perhaps this was a realm where spirits, newly separated from their bodies, indulged unfinished appetites together, a last anything-goes party wherein they could gradually burn out the last vestiges of mortal desires in a realm of nocturnal entertainments and swollen dream objects. When bardo-goers tired of clinging to this final desert carnival, they would be released, their spirits liberated for the further travels that awaited them.

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